First person point of view writing prompts
Return to Content 50 creative writing prompts to enrich your craft Creative writing prompts provide a useful way to jog inspiration and get into an inventive frame of mind. Try these creative writing exercises focused on individual elements of storytelling: Point of view, tense, dialogue, character and more.
Creative writing prompts for: A character is moving to another city. She visits her favourite public place and sees something that makes her want to stay. When you rewrite in third person if you prefer this POVsome of this immediacy will carry over. A character is being chased by a villain or villainous group through an abandoned warehouse. Describe their fear and lucky escape in words or less. Rewrite the piece from the viewpoint of the villain s. A character arrives late to a party, not knowing that an old significant other is attending too.
The host introduces them to each other, unaware of their history. The late arriver, the ex and the host. A teenage couple is sitting at a restaurant, playfully making up a fake Cosmo love test for each other. What questions do they ask each other? Now, write the same scene, but this time the couple is in their thirties. How would the questions differ? Write the same scene again, but this time the couple has been married for fifteen years.
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How would their questions be different than the other two tests? Character development makes your characters feel real. A detective is called to a small hotel to investigate the disappearance of a guest. Use first person POV. Two characters who are romantically involved are having an argument at a bar. Write their exchange in words or less. Conflict in dialogue makes it lively and the raised stakes draw readers in. Dialogue tags can be distracting and repetitive.
Body language can show how your characters are speaking and feeling without telling the reader outright, and this brings characters to life. A public figure a celebrity or politician is giving a long speech when they are interrupted by a member of the audience and heckled. The speaker loses their calm and responds to the heckler in far more informal speech.
We use different ways of talking depending on whom we address. Two characters have been stuck in a lift for an hour. They were strangers but they begin opening up, telling each other about their lives while they wait for assistance. Use words or less. Creating a sense of progression in dialogue shows change and this change and sense of development is a large part of what makes a story interesting.
Four college students have been put in a group to compile a report. Each has a very different work approach. One student loves to research first, another likes to organize people and delegate tasks, one is a lazy slacker and one just agrees with everyone else to avoid conflict. Write their argument about how to complete the project. This exercise will help you create multi-character scenes that are complex and rich with dramatic potential.
Crafting vivid setting descriptions Imagine your character has gone hiking in a forest on a mountainside. There is nobody else around. Describe what they hear as they pass through different parts — a densely wooded area, a stream, and a high ravine. Often when we write setting we rely on visual description almost exclusively.
Describe the general goings-on in a city over the past years. Writing setting well, especially in historical fiction, requires showing place as dynamic rather than static. Describe a seaside city from the viewpoint of a traveler who is visiting for the first time. Describe the same place again from the viewpoint of a local.
Think about the different places in the city each would find interesting, and have each character list three things they love and three things they hate about the city. A visiting character might end up eating at awful tourist-bait diners, for example, while a local is more likely to avoid these. Describe a big, rambling house in the daytime and make it seem comfortable and homely. Rewrite the piece, keeping everything except the adjectives the same.
Change the describing words you use so the house feels sinister, eerie or outright terrifying. In setting, time of day and place work together to establish mood and atmosphere. This exercise will help you show how places take on different characters according to the conditions under which we experience them.
Imagine your character has a favourite place they escape to whenever they feel stressed or need quality alone time. Describe this setting in words including at least three of senses: We form memories of places not just through vision but the other senses too. Do click at this page exercise regularly to create memorable locations for your story. Creating interesting characters Describe the character and what is so lovely about her in words or less, but end with a secret or flaw that not everyone sees.
Story characters who are perfect are boring. Great characters are light and shade. The villain Lord Voldemort in J. Imagine a character who witnessed a crime has to identify the perpetrator in a police line-up. Each of the suspects is quite similar looking but there is one vivid aspect of the guilty party that stands out.
I thought I was done for sure. What's at the end of the road? This works especially well in a coffee shop, restaurant, or some other public place where interaction is the norm. I stared at him, frozen. The point of this is to challenge yourself to see through your characters eyes. Crafting vivid setting descriptions
When we describe characters, we often reach for the most obvious physical features such as hairstyle and eye colour. See more here ]. Click on a random video and quickly minimize the window before you see anything. Describe the voice of the first person you hear speaking, in detail.
Is there any defining characteristic? Is it low, high, raspy, clear? Do they have a stutter or an odd way of starting, pausing, or ending sentences? Thinking about the differences in how people sound and express themselves will help you write characters whose voices are unique and interesting. Now answer these questions: If my character were an animal what would she be and why? If my character were a song, what would it be and why? If my character were a colour, what would it be and why?
Creating strong story openings Begin an opening sentence with a character having died. Dramatic story openings that leave things unanswered pull the reader in. Why was Miss Emily a monument?
- You can practically eat religion in this school.
- Describe the box, what is in the box, and the temple.
- Going beyond the basics of first, second or third POV will not only give you ideas, but will add depth to your writing.
Why is she so intriguing to the town and why had nobody seen the inside of her house? How did she die? Faulkner leaves many questions to answer in the course of the story. Conditionals if, would, could, etc. Great characters have history and can remember and are driven to some extent by important life events. But write a list for each character in your novel about important events in their life, even if we only meet them when they are in their thirties. Begin a story with a surprising or unusual action.
Before you can hesitate, you take a gulp, the coffee burning your throat as it goes down. Peter was now attentive to what the pompous windbag in front of the class was saying. Then another while, hours, lots of minutes, to get it to where I wanted to post it. Story Starters Think back to a time when you say a stranger say or do something that that caught your attention. All the best, Deena Well thanks, Deena. You take flight, and burst through the glass pane, as people below begin to chant your name. Are your memories vivid enough to construct a scene from? They were strangers but they begin opening up, telling each other about their lives while they wait for assistance.
The mundane and everyday can happen in the course of your novel. But keep the most mundane parts of your book for any part but the beginning. An unusual or inexplicable action as an opening creates curiosity. Write a first line that encompasses the whole of a story idea. Being able to condense your story into a single line is a good skill to have.
Imagine a character describing her wedding day.
Writing first of person prompts view point understand
Writing the above scenario this way can be very effective if you will later show how the event did not go to plan at all. It will let you create a contrast between expectation and reality and this element of surprise is a satisfying component of storytelling. Your character is a high school student who has just sat his exams. Describe the exams he has completed in the recent past tense e. Past perfect tense is useful for creating anticipation, because it shows something happened before something else.
Describe a character waiting nervously outside a venue for a job interview. Describe what they are worried they will be asked and in what ways they feel prepared. It is important to be consistent with tense in a single section of your book or scene, unless transitions between tenses are logical and easy to follow for example, a character shifting from sharing a memory to describing a present action.
Describe a character making plans for where they will be in life when they reach Make several uses of the future perfect tense that indicates an action that will be complete in the future e. Characters, like real people, project themselves into the future, imagining when certain tasks or undertakings will be finished and what their achievements will look like. This helps to create a sense of both shorter time and longer time scales in your novel.
- I bet your thinking how the hell does this go on for so long, when a parent allows another adult to enter their home, use them for everything they own, get drunk and stands by as that person takes their angers and frustration out on the innocent lives they should be protecting.
- He nodded, turned, and walked away.
- Asking your character questions and getting honest answers, plus putting on the skin of your lead and other characters in your story will offer a wealth of ideas, and the best part, bring more depth and layers to your writing.
The past perfect progressive tense is used to describe a continuous action that was completed in the past. Open a favourite book to a random page and pick a paragraph. Copy out the paragraph but change every adjective to a synonym. Compare the two versions and note any differences in connotations.
Write a scene where your main character is running a competitive marathon. Describe her progress and feelings as she nears the finish line. The first time around, use adverbs e. Adverbs tell the reader how an action is performed, while active verbs show that specific quality of action more imaginatively.
Write a scene between two characters who are out on a date at a restaurant. For the first pass, use the same words for these gestures e. Sometimes it is hard not repeating the same word in short succession or you do so intentionally for effect. Yet using the same describing words within a short space of time for different objects or actions can feel amateurish and repetitive to readers. Use this exercise to practice creating variation and to expand your repertoire of useful synonyms. Then go through the scene and find the shortest possible alternative for every longer word.
Learning to simplify your writing and strip it down to its most basic meanings is important for becoming a good editor.
Then use the first line of the top result to begin a story and continue for words. I like this part of you, Esther. Asking your character questions and getting honest answers, plus putting on the skin of your lead and other characters in your story will offer a wealth of ideas, and the best part, bring more depth and layers to your writing. What's their body language say about them at this point in time? Birch will present the creationist side to what we have been studying in the physical sciences. Write a scene in the passive voice, where a character receives bad news in a letter and describes being given the letter and reading it. Is there anything that makes your character feel safe? Take some time out of your day to people watch.
Write a scene in the passive voice, where a character receives bad news in a letter and describes being given the letter and reading it. A lot has been written about using active voice rather than passive voice. Passive voice can be used intentionally to create the impression that a character is fairly passive in their life and pushed and pulled by others.
Finding story ideas It can be the name of a place, a colour, a job description. Then use the first line of the top result to begin a story and continue for words. News articles are a great source of story ideas, from the ordinary to the bizarre. Write a story opening up to words long that explores this idea in greater detail.
With the first point prompts writing of person view what
Many great stories and novels branch out from a simple premise. Open a dictionary to a random page five times, close your eyes and land your finger on a random word. Write each of the five down and try to combine them into a story idea. Take a playlist on a music streaming service or your own device and select shuffle. Press play and use the words of the title as either the opening of a story or to create the main idea. Songs are great sources of writing inspiration because they are often ambiguous and allow us to fill in the gaps using our own imaginations. Write a scene in which a person wins the lottery.
Describe how a main character decides to set about resolving the situation. The catalyst for your story, the inciting event that sets it in motion, needs to create tension whether between characters or within one character that begs resolution. This exercise will help you practice creating action-centered story beginnings. Write a scene in which two old friends have a fight that threatens to dissolve their friendship for good. It could be a fight over a clash of values or a personal betrayal. Towards the end, show that there is a glimmer of hope that they will reconcile.
Conflict whether internal or between characters is the lifeblood of great plots. If everything is easy and straightforward for your characters, the stakes are low and the reader invests less emotionally. A woman has been searching for her birth mother for years because there are important questions she needs to ask her.
Climactic plot moments are opportunities to create suspense and resolution. Isolating and practicing writing moments of plot revelation will help you handle moments of truth creatively and assuredly. A detective has been on the hunt for a notorious killer for years. Write an ending for this story that also suggests the beginning of a new plot line. Crafting satisfying story endings A man imprisoned wrongly for a crime is released after 20 years. Describe his surprise homecoming in words or less. Dramatic stories that carry a lot of emotional weight need to be resolved satisfyingly.
This exercise will help you find dramatic story endings for dramatic beginnings. Take a novel that had an ending you found unsatisfying. Sometimes writers make choices that upset us. Read the first paragraph of a short story or novel, then close the book and write a final paragraph. Many story openings give a clear sense of what the general themes and preoccupations of the book are. Take a favourite television series or movie. Make up your own ending based on what you can remember of the plot line and characters.
Using TV shows and movies as inspiration is effective because screenwriters are especially well-versed in strong beginnings and openings. Practicing an exercise like this will help you think like a screenwriter in how you craft compelling story endings. Create your own prompt for writing a story ending and post it in the comments below Why: Coming up with prompts is a valuable creative exercise in itself.